Salvator Rosa was born in Naples in 1615, after having lost their parents to enter the shop to lear

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"[Painter] does not paint only that which is visible, but it is necessary that this time additi All that which is incorporeal, and which is possible"
The extraordinary power of the painting of Salvator Rosa is in sound terribly modern, as it had been painted in the nineteenth century. Instead, it is the seventeenth century, the century in which Rosa was born and died, a period that surely was tight. There are two aspects that interested me so much of this painter: his paintings-occult witchcraft theme, a rarity at the time, if not a real one-off, and the vicissitudes of his fortune, demonstrating as the fashions of taste are incisive in the success of an artist.
Forgot to Italy after the death and instead heroized abroad, we can think of at least two reasons why this happened: first, because, as every painter of the seventeenth century, was much despised by the Italian critics at least until the first decades of the 900. It was only rescued from Salerno in 1963, with his famous article about the painters of dissent. We can add the fact that there was a painter of frescoes, his works are paintings bought by private collectors, which they then resold to determine the dispersion around the world, making it difficult outlet new york for a global vision. But we have to add, finally, that his type of landscape was seen immediately in key anti-classical in the eighteenth century and then pre-Romantic nineteenth century, thus allowing popularity in those areas where these kinds were in fashion and this excludes Italy.
His luck was really unusual, though in his lifetime he had not been a particularly popular painter. outlet new york An artist dropped by the client and therefore free from the addiction of a patron, which is expressed through exhibitions and through intermediaries, in this incredibly modern. Painter, but also a philosopher outlet new york and poet and comedian. Of his life we know a great deal thanks to the continually wrote letters to his friends, he wrote satires in which he criticized the reality of his time. He became interested in philosophy, as evidenced by the numerous portraits of philosophers or scenes associated with them and founded the Academy of Percossi. Not least curiosity about the limits of the forbidden topics such as witchcraft, we describe an intellectual interested in all the activities of his time, which is strongly fighting. Painter contrast yes, but not of any dispute, his criticism was more subtle and everything then rested a veil melancholy, night, who saw any human life as an ephemeral conquest.
Sources / Sources: Luigi Salerno, Salvator Rosa, Florence, Barbera, 1963, Salvator Rosa: between myth and magic. Naples, Electa Napoli, 2008; Salvator Rosa and His Times: 1615-1673, edited by Sybille Ebert-Schifferer, Helen Langdon, Caterina Volpi. Rome, Campisano, 2010; Salvator Rosa Treccani.it. outlet new york
Salvator Rosa was born in Naples in 1615, after having lost their parents to enter the shop to learn how to paint and it sustains a living selling landscapes and seascapes on the cheap. The Neapolitan education is crucial and will remain a sign of originality throughout outlet new york his career: a painting dense material, which has obvious roots in Jusepe de Ribera, from which the shots even daring compositions, the representation of the harsh reality and a source of Caravaggio earthy mixture. Without Ribera works can not be thought as the Martyrdom of St. Bartholomew, St. Jerome and the portraits of philosophers.
Two other teachers were his brother and friend Fracanzano Francis, who married his sister Rosa in 1632 and Aniello Falcone, the painter of battles. All'alunnato at Falcone are attributable to the first battles like that of 1637 or Anglers Coral. In his workshop he became friends with another apprentice, Domenico Gargiulo, called outlet new york Micco Spadaro, so much so that some works of the '30s are the result of collaboration between the two. Youth is made to work in the shop and raids with friends, who will be for him a very strong bond and indispensable "I have always believed that the friend is another myself." So humble existence, but the cleverness of the brushes soon put him in contact with higher environments. And 'in fact hard to believe that Rosa was not influenced by the intellectual debates of the Naples of the '30s, such as those that took place in the Academy of Idle, founded by Cardinal Francesco Maria Bra